![]() A selection of sixty works from eleven series spanning over twelve years of creative output by the maker are displayed, all corresponding to the theme of the film shown next door. I was immediately drawn to the tunnel and what lay behind. Upon entering the transformed office space, the maker’s vision of The Third Dimension becomes tangible in two parts: while kaersenhout’s new work, the film Le retour des femmes colibris (2022) is screened in a room behind dark curtains, the entrance to the second space is marked by a tunnel flooded with purple light. Pieces of purple Vlisco wrapped around lamp posts in Bullewijk, (Amsterdam South-East) guide the way to patricia kaersenhout’s latest solo exhibition The Third Dimension, organized in collaboration with the Centrum Beeldende Kunst Zuidoost. “We collected insults, words filled with hate and contempt, and we transformed them into diamonds.” - Suzanne Césaire in Le retour des femmes colibris by patricia kaersenhout, 2022 ![]() Laetitia Lai pays a visit to patricia kaersenhout: The Third Dimension, to hear the voices of the unheard. The film Le retour des femmes colibris focuses on the forgotten and unheard voices of five women of colour: Josephine Baker, Suzanne Césaire, Frida Kahlo, Paulette and Jeanne Nardal. Until November 20th, Centrum Beeldende Kunst Zuidoost (CBK) in the Bijlmer presents a new film by patricia kaersenhout in the context of an installation of her other work. ![]()
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